
Originally Posted by
Dennis Bishop
I see a greenish cast all over, but I like it.
You opened the subject of composition. As Indranil noted, the diagonal of the mountain is very effective. Not just because it's a diagonal but because it helps to guide the eye in the right direction. To me, the strongest parts of the image are the foreground tree, the hill directly behind it, and the mist. Did I mention the foreground tree? I really like it. To highlight those elements, I cropped from the left until the two vertical divine proportion lines were at the left edge of the tree and nearly through its center. When I cropped from the top, I ignored the tree but put the upper horizontal divine proportion line at the highest point of the hill. That also left some of the diagonal even though it's no longer apparent that it's formed by the mountain.