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Thread: Blue gem

  1. #1
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    Default Blue gem

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    I haven't posted much lately, partly because the birds are only just now returning to New Brunswick on migration. After an early start, things have slowed right down.

    The Tree Swallows are setting up home in a nearby marsh and they seem to be very tame if you approach slowly. This male just stood there as I slowly approached to minimum focus distance on the 400DO.

    Full-frame image. Perhaps it's a bit tight on the subject at the top? I dodged the eye area a little and sharpened. The narrow DoF obscures the rather ugly railing perch.

    The subject line is a little misleading as the bird is actually grey and white. The blue comes from light hitting the micro-structure of the feathers rather than real blue pigment.

    Postscript 1- a note about Manual exposure. I was out all morning in nice, flat light which did not change that much. I was photographing all sorts of things from swallows to ducks on water and flying, all with different backgrounds. Early on in the session I determined the correct exposure of the subjects by trial and error, then just set the camera to manual and shot all morning without thinking about it. In Av mode, I would have been forever compensating the exposure by different amounts, which would have been a huge distraction from the great experience.

    Postscript 2- IMO, anything but flat light like this makes for an almost impossible exposure challenge for subjects like Tree Swallows. In bright sun, you expose for the whites and the dark parts of the bird are underexposed, and the structural sheen on the birds overpowers the images and hides the beautiful, subtle nature of the colour.

    Date: 5 May, 2012, Time: 1225h
    Model: Canon EOS-1D Mark IV
    Lens: EF400mm f/4 DO IS USM, @ 400 mm
    Program: Manual
    ISO 800, 1/1000s, f/5.6
    Exp. comp.: 0.0
    Flash: no flash
    Hand-held

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    BPN Member Kerry Perkins's Avatar
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    John, I love these little birds and this is a super image of one. Exposure, color, and detail are perfect to my eye. I think the in-camera framing is fine. Your comments about manual mode are so right, it is actually the easiest mode to use as you don't have to keep trying to know what the camera is going to do for a given scene. The right light for shooting is definitely the soft light. Shooting in harsh light is probably the number one mistake made by new photographers and something we talk about over and over here in the forum.
    "It is an illusion that photos are made with the camera... they are made with the eye, heart, and head." - Henri Cartier Bresson

    Please visit me on the web at http://kerryperkinsphotography.com


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    Gorgeous John....lovely soft light revealing great details and subtle hues....well done.

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    BPN Member jack williamson's Avatar
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    This is a beautiful image of this little bird, perfect exposure, the bg is perfect and the railing he is standing on just fades into the bg and actually blends with it. Awesome!

    Jack

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    Simply beautiful. I have frequently failed to get an image of a tree swallow that is this good. I also agree with your comments re. soft light. TFS.
    Andrew

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    Beautiful shot John and thanks for the tip. I always struggle in both bright afternoon light and flat 10AM light. Will try this tip this weekend.

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    Real pretty, John. Since you are willing to dodge the eye I'd be tempted to add a catch-light also.

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