My first couple visits to Mansfield, Ohio, were work-related. When I went on my own, it was because of a long love affair with carousel animals. The carousel is the first one with brand new hand-carved animals to open (in 1991) in the USA since the 1930s. The carving was done locally. I don't know why they spell carousel with two Rs in the name of the park.
I could've given the image a festive feel of balloons, cotton candy, and popcorn, but that isn't what I wanted. Good carousel figures are a work of art, so that's what I tried to reflect.
ISO 200, 1/15 sec, f/3.2, zoom lens at 22mm
I commented, recently, that I nearly always consider whether or not to flip an image horizontally for composition. This was one of the few exceptions. You're looking at the lead horse, the fanciest one on the carousel, from the show side (the outside). Carousels built for use in the USA turn counter-clockwise.
The original shot was very tight. I wanted to add canvas on the right, and I wanted to make the background roughly follow the outlines of the horse.
Added canvas
Stretched the entire image -- horse and all -- to fit and applied a nearly vertical motion blur (just to make it less distinct -- see note, below)
Stretched another copy to fit and applied a horizontal motion blur, this time at Lighten blend mode and 50% opacity
Flypaper texture at low opacity with a 45 degree motion blur
Flypaper texture at low opacity with no blur (Lead horses always stand on the platform rather than moving up & down, so I didn't want implied motion.)
(Both textures were largely blue to echo the blues on the carving and complement the yellow tones.)
Applied Topaz ReMasked horse from original image
Gradient vignette
Curves and levels
Alien Skin Snap Art -- Oil Paint with reduced settings for the head within Snap Art and the eye masked back afterwards
Nik Color Efex -- Darken/Lighten Center, slight lightening of the head area and slight darkening elsewhere
Added brass poles from a different shot of the same carousel, very low opacity and Hard Light blend mode
Gradient vignette
Levels as a final adjustment to black and white points









