Yes, I like this too and would agree with Dan completely. I especially like the rock foreground. The sky is a bit flatish but I guess it is was it was when you pushed the button...
Hi Rachel
nicely composed. The sky is a bit flattish, you should keep on Sh/Hightlights.
Curious that I've shot an image similar last saturday, and the problem is the same. I'll post it within some days, please compare it.
Thanks for the comments. The sky may be flat but it would otherwise have been blown, it was fairly bright even at that hour so I used the GND and EC to at least get some blue in it.
I like the image design. Some of the foreground elements seem less than sharp. I am assuming that you went with the big underexposure to save the sky and then opened up the dark stuff..... Therefore, I am curious as to why not HDR?
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Thanks Harshad and Artie for the comments, much appreciated. Artie - I just haven't done a lot of HDR. I did take some multiple exposures this trip to experiment but this particular location wasn't one of them. In fact, I shot this after coming down from the rockpile and while waiting for my friends before going to breakfast. This was more of a shot I took in passing and I only fired off a couple of shots from this location. Doesn't it always work that way? The ones you wind up liking are the ones that were more happenstance than advanced planning.
Hi Rachel, I was scared of HDR for years and am now loving it. It is so simple. My friend Pat Sparkman does it really simply: three frame AEB +/- 2 stops. His turn out great. If you do not have a cable release (I do not) use the self-timer. Once the image is set up and the tripod locked simply turn on Live View and you get mirror lock-up. The 7D will take three images at once. Then Photomatix and you will be a pro in no time. If I learned it anyone can.
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
I agree on the image design - nicely done - though on the left FG I would not have had the rock angling down to the lower left corner.
I am concerned about the sharpness of the image. Shown is your DOF and Hyperfocal Distance as it relates to your setup with the 7D, 16mm at f/22. You HFD was 2 feet which if you focused at that location, DOF was 1 foot to infinity. If focused at infinity, Near Limit would be 2 feet. You can make this same calculation at www.dofmaster.com/dofjs.html.
The conclusion is that the FG rocks to the BG mountain should be acceptability sharp. Rocks in FG seem to be noticably less sharp then the middle ground of the image. But I am wondering if the issue is not a matter of sharpening combined with DOF/HFD. I sharpened the image and posted it in the next pane. It is oversharpened but selectively sharpening areas will enhance the IQ. Also try local contrast enhancement using USM on BG copy at 20/30/0 to start with. LCE will increase the overall detail of the rocks and trees. Modern filters in Nik and Topaz call this Structure.
BTW, one of the reasons I make a majority of my landscape images with primes is that they have a HFD scale on them and I use that to shoot at the HFD. One of the reasons I am looking at a Zeiss wide-angle for my Canon.
Last edited by Robert Amoruso; 09-16-2011 at 08:02 AM.
Thanks Robert for the detailed tutorial, very much appreciated. I am always concerned about oversharpening so am probably much more tentative than I should be about applying sharpening. I had however applied LCE to the OP.
I went back to the RAW file and played with the WB a bit and exposure and was able to recover more of the blue in the sky. I also applied more and selective sharpening as well as LCE and finally cropped a bit from the lhs. Please let me know if you like this better.
Thanks,
Rachel
Last edited by Rachel Hollander; 09-16-2011 at 12:46 PM.
The sky is bluer and I like it better. But HDR is the way to go for these with the huge tonal differences
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Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
Hi Rachel, like the repost better due to the improved sharpening you applied. Very nice composition as well. Perhaps just a touch more sharpening on the upper left corner, but otherwise very nice repost.
If you really want to go deeper into 'exposure blending' as opposed to automated HDR, check out Tony Kuyper's tutorials here: www.goodlight.us - he sells his blending masks as Photoshop actions so it's quite easy to start playing around with them.