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Thread: Crane Pair Take-off Blur

  1. #1
    Publisher Arthur Morris's Avatar
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    Default Crane Pair Take-off Blur

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    The trick here was to have the lead bird take off first to avoid potential merges. South winds are rare at the crane pools.

    Canon 800mm f/5.6L IS lens with the EOS-7D. ISO 200. Evaluative metering +2/3 stop: 1/30 sec. at f/10.

    Don't be shy; all comments welcome.
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    I'm a big fan of blurs and the bird flight blurs that are captured at Bosque always have such a nice color tone to them. Very interesting and appealing image.

  3. #3
    Julie Kenward
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    I love that the main bird is dragging his feet in the water...excellent sense of motion. I like the crop as is but I also think you could lose the reflection and still have a beautiful image.

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    BPN Member Paul Lagasi's Avatar
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    Since I do want to get a handle on these...I like that you can see one complete wingbeat, the upturned primaries...I see the splashes at the feet, which give the sense of a running motion or movement.
    I'd might remove 2nd bird..gold color seems to help the crane standout. Pleasing to the eye
    I assume you don't pan camera?
    I did try a blur today but totally bombed it..

  5. #5
    Publisher Arthur Morris's Avatar
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    Quote Originally Posted by Julie Kenward View Post
    I love that the main bird is dragging his feet in the water...excellent sense of motion. I like the crop as is but I also think you could lose the reflection and still have a beautiful image.
    There is not much reflection there but I love the water...
    BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.

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  6. #6
    Publisher Arthur Morris's Avatar
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    Quote Originally Posted by Paul Lagasi View Post
    Since I do want to get a handle on these...I like that you can see one complete wingbeat, the upturned primaries...I see the splashes at the feet, which give the sense of a running motion or movement.
    I'd might remove 2nd bird..gold color seems to help the crane standout. Pleasing to the eye
    I assume you don't pan camera?
    I did try a blur today but totally bombed it..
    I did pan with the birds; that's what gives the pan-blurred background! I love the 2nd bird; that was the challenge and the reason that I like this one so much' it's the romantic in me.

    Most of my blurs suck big time. It's great that you are trying some.
    BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.

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  7. #7
    BPN Member Paul Lagasi's Avatar
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    Thanks..Art..thats why they didn't work, I tried to shoot at low sh speed..but didn't pan camera

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    Publisher Arthur Morris's Avatar
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    That will work at some shutter speeds like 1/125 the for example. At 1/30 or 1/15 it will create mush. There is lots on creating pleasing blurs in ABP II (916 pages on CD only): https://store.birdsasart.com/shop/ca....aspx?catid=32
    BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.

    BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.

    Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,

    E-mail me at samandmayasgrandpa@att.net.










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    BPN Member Kerry Perkins's Avatar
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    Hi Arthur. I like this a lot and I too am a fan of the blurs. I just had my first Bosque experience (just missed meeting you by one day) and I have to say that the blurs are very difficult to get right! I did a few and will post some, but I can see that it takes a lot of work and skill to get a good one. Thanks for posting this one!
    "It is an illusion that photos are made with the camera... they are made with the eye, heart, and head." - Henri Cartier Bresson

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