
Originally Posted by
paul leverington
Drew--We pass by all manner of things everyday that are lower and higher than eye level--and never even notice those things. We are used to seeing birds from either a commanding or subserviant postion--not usually at eye level where they would jolt our attention. How much more powerful of an expirience would it be to hold a hawk on your arm and look him in the eye at the same eye level as your own!
To begin an adventure you have to leave home. You leave home, expirience things you never have before, you become evoled due to what your senses took in during your adventure, invigorated by the stimulus of those senses, and then you return home --a new and changed person for it. The more that an artist can accomplish taking someone on a journey- the more that art succeeds. If in an picture--lets call it a composition because thats what's really at work here ---you fall short of allowing the viewer to leave his world and enter into an adventure where they have never been before--then you also fall short of a powerful work of art.
In this picture we are looking at the heron more or less from the perspective of how we often see little animals--From our own. There is no journey. Been there--done that. Now if you get real low and enter HIS world--now you are taking us somewhere where we have never been before. The adventure begins!
Don't photograph the bird. Photograph the mystery. The mystical. The expirence of the emotions.The awe of the spirit world. This is what art does.
A lower angle would have made a huge difference here. Less depth of field would have isolated the intensity of the heron's concentrated stare. A great tension would then be realized whithinin the picture that would have us sitting on the edge of our seats like a good movie --anticipating what will happpen next.
Don't photograph the bird--or any bird for that matter --unless your doing documentary or identification work--photograph the power of the mythological--the dream--the adventure--the subconsious.