Canon 1D MIII with Canon 500 f/4, Handheld.
EXIF: 1/1000, f/4, Aperture Priority, Evaluative Metering, ISO 400.
I hope my processing in ok, especially the sharpening. Like to hear what you guys think.
Canon 1D MIII with Canon 500 f/4, Handheld.
EXIF: 1/1000, f/4, Aperture Priority, Evaluative Metering, ISO 400.
I hope my processing in ok, especially the sharpening. Like to hear what you guys think.
Eye contact, head angle and BG look good. I would crop a bit off the top and lighten the eye a bit more and run NR on the BG.

Excellent portrait with eye contact and nice green BG, really stands out!
I agree with lightening up the eye. Also I think this is oversharpened a little bit and there are halos, you posted another nice shot yesterday http://www.birdphotographers.net/for...ad.php?t=42290 which had exactly the same issue with sharpening and noise, after repost it improved dramatically, I think this will also improve a lot if you use similar processing.
Great pose. Agree w above comments. It appears the light is coming from the left side of the bird thus the right eye is in the shadow. Probably better to have the light coming from behind you if possible
I would have liked to have seen the lens pointed less than an inch to the right for a stronger COMP.
Is this a free and wild bird? Yes to lightening the face and agree that it is a tad oversharpened, esp. the face.
SH and BKGR are very nice.
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Nice portrait. I agree a bit more room to the left would be good. Sharpening looks a bit overdone.
nice image and agreed with all good points covered
TFS
I was suggesting less room on the left. This would bring the bird into the frame in the lrc from a slightly stronger position. Also, lightening the iris would be a good plan.
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Arthur's comment on the framing on initial lens position is interesting, however, I'm not thinking this would have worked without a head turn back toward the photographer to pull the eye contact back into the frame instead of away?
Thank you all for the suggestions, appreciate them.
Ray, I could not shoot form a better angle.Probably better to have the light coming from behind you if possible
Artie, this is a wild bird.Is this a free and wild bird?
Reposting the image with the following changes: left a bit more space on the left, lightened the whole image, reduced the sharpening and dealt with the noise.
I tried lightening the eye selectively, but it was looking a bit unnatural, so left it as it was.
How does it look now?
Last edited by Dr.Pranay Rao Juvvadi; 08-03-2009 at 12:50 PM.
Good job on getting close to a free and wild bird. For the third and last timeI am wishing for more on the left (if you have it) and less on the right. The COMP in the repost is weaker than the COMP in the ORIG post....
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Artie, Pardon me for asking, is the space you are wishing for in front (left) or behind (right) the eagle?For the third and last timeI am wishing for more on the left (if you have it) and less on the right.
Sorry for not being clear on that. My original post suggested pointing the lens a bit more to the right. That would move the bird left in the frame with less room to the left and more of the eagle's body on the right. That would have made it very tight on the left so taking one big step back and pointing the lens to the right would have yielded an image with the body of the bird entering the frame from a stronger position. I will try to post an example in a minute. Be right back...
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
In taking a closer look at your image side by side with some of my similar images, I came to realize that the problem with the COMP here arises in part from the bird's posture with the head projecting more forward than usual. If you had simply pointed the lens to the right about two inches and down and inch in the image presented in pane 10 it would have been perfect. The image in pane 10 as presented is unbalanced to the right....
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Perhaps there is an easier way of explaining it. You needed to include a bit more of the slope of the bird's uipper back. Here is an example (albeit from a different bird family).
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Thanks a lot for the effort Artie. Reposting the image with the changed COMP, hope it looks fine!
YAW. Now you are talking. I had no idea that you had more of the bird on the right! The COMP immediately above is to my eye, perfectly balanced.
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Hi Pranay, Do you find the Eye Doctor work here objectionable?
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
I'm glad I finally got the COMP right. The very reason I'm here on BPN is to Improve and learn. Thanks Artie for helping me to get it right.YAW. Now you are talking. I had no idea that you had more of the bird on the right! The COMP immediately above is to my eye, perfectly balanced.
Not exactly objectionable, but its one of those things I do not do. The eye work has definitely enhanced the image, but at the time I took the picture, the light was at an angle from the left and the eye was in the shadow. So brightening the eye seemed a bit unnatural to me.Hi Pranay, Do you find the Eye Doctor work here objectionable?
Hi Again,
re:
I'm glad I finally got the COMP right. The very reason I'm here on BPN is to Improve and learn. Thanks Artie for helping me to get it right.
Me too and YAW.
Not exactly objectionable, but its one of those things I do not do. The eye work has definitely enhanced the image, but at the time I took the picture, the light was at an angle from the left and the eye was in the shadow. So brightening the eye seemed a bit unnatural to me.
I understand and respect your position, but do consider the following:
Here, you are exposing for the brightest tones, probably the ligthest feathers on the breast. I would rate them as well lighter than a middle tone. If you have a good understanding of exposure theory (see same in ABP), you will understand that when exposing for tones that are well lighter than a middle tone that your middle tones are about 2/3 under-exposed and your dark tones are about 1 2/3 stops too dark..... Thus, when I choose to lighten the iris I am choosing to render the eye more naturally (of course to my perception). And with the eye shaded, the amount of under-expousure might actually be well more than several stops.
Also, the human eye has the ability to see detail in light and dark areas far better than a digital sensor.
Lastly, I have always chosen not to be bound by the limitations of the media that we are using.
Respectfully.
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Artie, you have explained it so very well and I really get what you are saying. My only aim is to capture and present an image as close as possible to what I saw in the field.
This has been a very educative interaction and I look forward to more such interactions with you. Thanks a lot.