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Thread: How do you expose for this situation? - part 2

  1. #1
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    Default How do you expose for this situation? - part 2

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    This is a bufflehead. Personally I have never seen it before until today. From afar, it looks like it's just black-and-white to me. The closest it got was about 30 ft from the trail by the pond. This was taken on a cloudy day. Really cloudy.

    This is a bad shot, I know I know, so your critiques are appreciated but not really required this time :D:D

    Question for you the experts: How do you decide your exposure so that you will have details in both the white feathers and the darker feathers on the head and the back?

    Personally I would like to be able to take a reading off an incident light meter :)

    On my monitor it looks like it has a blue color cast. But the Photoshop readings show both the white and black are balanced. Mid-gray is very, very close, to balanced, too.

    Thank you for your time and playing along !!
    Last edited by Desmond Chan; 11-17-2008 at 02:33 AM.

  2. #2
    Lance Peters
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    Hi Desmond - only two things I acn say would be soft light or Flash. Or expose the whites so that they are a little over (very carefully) thus giving more detail in the black and recover the whites via a linear burn / multiply layer, I know Doug Brown uses this techique to great success.

    Personaly I think the Black/White birds are the toughest of all to expose for as you literally have the two extremes of the colour range to deal with.

  3. #3
    Alfred Forns
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    This might be the toughest since you will not capture the colors without sun ..... and with sun you will block or toast !!!

    I try going after the highlights since overdone they look worse than blocked shadows. A double conversion as Lance mentions is a good option. While making exposures I do try to bracket which is unusual for digital !!!

  4. #4
    Gail Spitler
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    Desmond -- on my monitor it looks like you have done pretty well for an very dull overcast day. I'd like to look at your image in detail a bit later. Glenn Bartley has some excellent images of Bufflehead at his website
    http://www.glennbartley.com/

    Via his images, you'll how complex and rich the head of the male Bufflehead actually.
    Cheers
    Gail

  5. #5
    Gail Spitler
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    Desmond
    I know... you only wanted experts, and here I am chatting on (smile). I think you've got the black and white spot on; push the midtones. In ACR I tried upping the clarity slider to 30+ and added a bit more saturation and vibrance. It's the purple and greens on the head that need to pop out.
    From a very non-expert, cheers
    Gail

  6. #6
    Gus Cobos
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    Desmond,
    A mighty fine capture. agree with Lance and Mr. Forns. My suggestion would be to boost saturation and contrast just a tad. You might want to check the swim angle; it looks like the duck is swimming up hill. looking forward to your next one...:cool:

  7. #7
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    Lance, in pp I did apply Linear Burn to enhance the details in white like you have suggested. Good thing is I didn't blown out the white when taking the shot.

    Al, I think you're spot on about needing light for the colors but the light can easily screw up the white. I was once shooting swan under bright sunlight. By the time the white feathers looked ok, everything else looked dark :o I did use pp to enhance the details in the white feathers when I pp some other shots from the same series.

    Gail and Gus, good suggestion on enhancing the colors of the head. But, it did look that dark when I was there seeing them with my naked eyes :o

    Gus, the water in front of the bufflehead was being pushed by the bird. You know, the same thing you see in front of a boat when it's moving fast in the water? Have to say though I and the bird were not exactly parallel to each other where I took this shot.

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