This is from last year.
EOS 1DsMKII
600 f4 w/ 1.4x TC
Approx. 60% crop
AV
Spot metering
ISO 200
1/1600s
F5.6
Roadrunner
This is from last year.
EOS 1DsMKII
600 f4 w/ 1.4x TC
Approx. 60% crop
AV
Spot metering
ISO 200
1/1600s
F5.6
Michael,
Nice shot of the Roadrunner. When I was down in Texas this past year, they
never came out like that for me.
I did do a little post processing on the image. I thought it was a tad dark.
So I applied a Curves Adjustment and Shadow Highlight.
Doug
Excellent. I thought it was a little dark too but was kind of rushing through the posting process. I need to watch that on this forum. Higher standards (good thing) and all that.
I could not believe this guy. He just sat there for 10 or 15 minutes. I have tons of shots but this one was my favorite.
Doug is the re-posting maniac today and that is greatly appreciated. On this one the repost is better but a bit too light for my taste. I like the image. In situations like this, it is pretty much impetative that the bird's head be turned abck all the way to square.
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This repost is by the other Doug Artie. I reposted the toucan and the raptor. Doug West did this one.
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Nice repost. Is this a fence stump?
If it is, this should be moved to Avian Hand of Man.
How about a blend of mine and Doug's? Ick... JPG artifacts...
Originally Posted by Doug Brown
Too many Dougs!
BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
E-mail me at samandmayasgrandpa@att.net.
Michael
I just love those fence posts.....and with a Roadrunner.....sweet. Great pose......and any of the reposts seem fine to me. Well done.
Repost looks wonderful a very nice shot and pose..
Re-post works very well for me.
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