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Thread: Chestnut-breasted Coronet

  1. #1
    Linda Robbins
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    Default Chestnut-breasted Coronet

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    Canon 500mm f/4 IS lens and a Canon EOS-1D Mark II N mounted on a tripod. ISO 400. Manual mode: 1/250 sec. at f/29. Six flash set-up.
    Guango Lodge, Ecuador.

    Turning the open port of the feeder towards the back of your set-up makes it more likely that the birds will give you good head angles. As they wait their turn at the open feeder port, they will sometimes hover facing forward. When a bird hovers, firing a burst of shots will increase your chances of getting a full wing spread pose and the gorget will be well lit showing the iridescense.

  2. #2
    IOTY Winner 2008 Chris van Rooyen's Avatar
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    You clearly got this down to a fine art Linda:-) Hopefully one day I will be able to photograph hummingbirds with you so that I can learn from the master!

  3. #3
    BPN Viewer Haim Ziv's Avatar
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    Very beautiful done!!

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    Very interesting angle...you normally don't see them photographed this way. Very nice!!

  5. #5
    Judy Lynn Malloch
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    Excellent Linda !!! Awesome flight pose, lighting and detail. Just doesn't get better than this < smile > I too would love the opportunity of photographing these beuties with you Linda.

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    Love it, maybe with a better head turnI would've love it even more, but still I can't think of any nits here, congratulations!

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    BPN Member Kirk Benson's Avatar
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    Linda, I have so much enjoyed your series of hummingbird images, each one equally beautiful. Color, sharpness, and poses are a testimony to your expertise. Thanks for sharing and teaching.
    Kirk Benson
    Southern California
    https://500px.com/kirkb

  8. #8
    Linda Robbins
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    Hi Peter,

    Attractive backgrounds are the most difficult part of hummingbird photography.! When i first began i used single color backgrounds, and I still do occasionally use them in natural colors of green, grey, and light blue. But my favorite way to get nice backgrounds it to photograph them myself. I find a patch of flowers and photograph them by turning off autofocus and turning the focusing ring until the image is very blurred. Soft swathes of color is the goal here. I further blur the image in Photoshop. I then have the image printed at a local printing company, and have it mounted on foamboard. Backgrounds made this way have subtle colorations, and by turning one upside down, the colorations are different and add variety to the images. Some people are able to paint their own backgrounds, but I am not very good at this. If you try to paint your own backgrounds, nmake sure to use matte paint (rather than glossy or semi-glossy paint) because a shiny surface on the background will reflect light from the background flashes and will result in white spots appearing in the images.

  9. #9
    Gus Cobos
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    Nicely done Linda.
    The details and colors are wounderful...:cool:

  10. #10
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    All I can say is "WOW"!!! The six flashes are handled so well you can't see he flash effect other than the natural appearance to the light.

  11. #11
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    Beautiful as always. Great wing position and lovely colors.

  12. #12
    Lifetime Member James Salywoda's Avatar
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    So Stunning Linda I love the slight head turn to give you the eye contact a really gorgeous shot. Excellent Work!

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    A stunning image indeed. I simply love the colours here.

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