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Thread: Full Frame Flap

  1. #1
    BPN Member dankearl's Avatar
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    Default Full Frame Flap

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    American Wigeon.
    I realize it is tight, but this is 100% full frame, not a pixel removed, just a luck in camera composure.
    This is why I really like shooting with a Zoom lens.
    You have to be quick, but is fun to see what you can come up with.
    I wish I had a bit of head turn, But I still liked the image....

    1/2500, f5.6, iso1000, 270mm (70-200 w/ 1.7), D610, HH

    610_0450bpn.jpg
    Last edited by dankearl; 02-04-2015 at 08:21 PM. Reason: tHI
    Dan Kearl

  2. #2
    Super Moderator Daniel Cadieux's Avatar
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    Awesome pose with great lines and curves. Nice colours too, and the water action adds a lot. Yes to being tight at left. When I re-attach my 100-400 I appreciate the versatility of the zoom, which I often miss when working with the 500.

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    Love it man! Superb colors, perfect wing positiong, great sharpness, detail and focus! Love the water splash aswell it adds a lot to the image. I agree a bit too tight in the left, would add a bit of canvas with a little bit of patiance I think it can be done.

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    Always love a good flap and this one is excellent. Nice low point of view and a lovely subject.
    Stretching the frame behind the bird (Artie's method) should easily remedy the tightness there.

  5. #5
    BPN Member Bill Dix's Avatar
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    Beautiful wing flap captured, with great bg colors. Definitely a case where zooming out a bit would have helped; easier said than done in the midst of a wing flap. Worth adding a bit of canvas. Lovely shot.

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    Great dynamic pose with superb wing flaps showing lovely feather details. Wonderful colors and beautiful shower of water droplets.
    Great composition.

    Regards,
    Satish.

  7. #7
    Ed Kelly
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    Dan, Great image,excellent detail and wing position. Added to canvas on left side with Dan's approval.


  8. #8
    BPN Member dankearl's Avatar
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    You did a nice job, Ed.
    It would be hard to tell you added canvas.
    Thanks for taking the time.
    Dan Kearl

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