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Thread: Ruffled Dove

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    Default Ruffled Dove

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    Actually I guess it's just a Mourning Dove. It seemed quite relaxed while staring down the barrel of my lens. It was coming to feed at the local soup kitchen.

    Canon 5D3, 600mm II, ISO 1600, 1/320 at f/11. It landed on the deck railing but I liked the pose so I cropped to a portrait. It's only 18% of the full frame. It was foggy so there was very little color but I thought the feather detail came out nicely.

    Basic adjustments in LR5, into CS6 for a subtle sharpening on the bird (Focus Magic) and NR on the BG (Nik Dfine). Cloned out a diffuse brighter area on the left border.
    Last edited by Diane Miller; 09-26-2014 at 10:38 PM.

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    Lifetime Member gail bisson's Avatar
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    I agree completely with your assessment of this image. The IQ is what really stands out. Even more impressive considering the large crop.
    Excellent techs used and perfect F stop. Comp is nice as is but I could see a version with a bit more on the left,
    Gail

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    Avian Moderator Randy Stout's Avatar
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    Diane:

    Wonderful display of the feathers ruffled up, soft light helped a lot. Very nice IQ with this crop. Pleasant bg.

    Well spotted and captured.

    Cheers

    Randy
    MY BPN ALBUMS

    "Tact is the art of making a point without making an enemy" Sir Isaac Newton

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    Super sharp Dianne. Love the earth-tone colour palette and the details in the feathers. Do you use auto for NIK define in auto or manual?

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    Lifetime Member Marina Scarr's Avatar
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    Killer IQ, Diane, and pleasing Bg. I think the crop could be a little stronger. I would take a little off of the right and bottom if it were mine.
    Marina Scarr
    Florida Master Naturalist
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    Beautiful shot with wonderful feather details! Excellent exposure, HA, BG and IQ. Well done.

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    Thanks, everyone!

    Jackie, I just do the Auto setting with Nik Dfine. I've tried Manual but not with very good results. I probably need to find some instructions! But auto works very well on almost every image, and I rarely have to mask out the subject. I rarely bother with an image that wasn't sharp and low-noise to start with, and I use it before I do other processing that might bring out noise further, such as Nik CEP's Detail Extractor. That way, it's looking at a fairly "pure" result of the sensor noise, where I think it can do a better job.

    If it doesn't work well on the occasional image where processing has brought out extra noise, I'll try Neat Image and if that isn't good, I'll try Topaz DeNoise. (I always evaluate the results at 100%.) If it's a difficult case, I'll usually choose to live with the noise rather than soften the image.

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    Thanks Dianne. I find it hard to get rid of noise and keep fine detail, I guess you need a really sharp image to begin with.

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