Canon 5D3, 300mm f/2.8 IS + 2X, ISO 1600, f/10, 1/4000. Handheld. Basic LR tonal work and to PS for some NR on the BG, with NikDfine, but it barely showed any noise. Cropped a lot -- this is 25% of the original frame.
I finally got off my deck and went out in search of some "real" birds, and lucked out with terns up the coast from Monterey. Someone said a warm upwelling had brought anchovies in, and the terns followed. I'm not sure what kind this is -- there were a couple of different kinds, unless maybe some were juveniles. I handheld for four two-hour sessions over three days and was surprised that I didn't have sore muscles. It's the old 300 IS and I left the hood on to try to protect the front element -- that's a fair bit of weight for someone my size (and age, but we'll leave that part out).
The light was great when I got there and promptly fogged in for the three days I had there. Another forecast blown. But I like the resulting white skies and high-key look.
I really love doing terns and think you did this one nicely with an angelic type background. Good on the noise with that crop, I need to upgrade my 7D, I think. It looks to be a Elegant Tern, they are south migrating now, I saw many north of SF bay last couple weeks. I had the same happen at Bodega Bay, half day sun, 3 days of fog and only id photos to show for it, but you gotta go to find out!
Hi Diane, I also like the high-key you achieved against the white sky. Nice work with the 300 mm + 2x extender. I believe I can just make out a weak highlight in the eye which I would be tempted to brighten a little. Regards, Ian.
Lovely 'clean' shot Diane! I love the wing position and the strong eye focus on something below. Nice feather detail on the body too. All in all a great shot!
Thanks, everyone! I'll do a little eye work and give it a bit more contrast -- good points. I tend to let contrast go too low in bringing out detail in darks and lights.
With that long bill the bird is surely an Elegant Tern, molting to winter plumage. I love the pose, the high key look, and both wing positions. The big problem (for me:)) is that the bird's head is angled slightly away from the back of the camera and thus from the viewer. Brightening the WHITEs on the neck and increasing the contrast about the head and face would make this better.
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BIRDS AS ART Blog: great info and lessons, lots of images with our legendary BAA educational Captions; we will not sell you junk. 30+ years of long lens experience/e-mail with gear questions.
BIRDS AS ART Online Store: we will not sell you junk. 35 years of long lens experience. Please e-mail with gear questions.
Check out the new SONY e-Guide and videos that I did with Patrick Sparkman here. Ten percent discount for BPN members,
Thanks, everyone! The dreary light wasn't so bad after all. I think I'll add a soft catchlight -- there's no hint of one to work with, and too much noise if I start digging out detail in the dark areas.