The series of shots that ultimately became this image were taken at Harry P. Leu Gardens in Orlando, Florida. In the time we were there, I took many shots. Turning any of the others into an image would've been much more straightforward than this one. There were two of these plants (bromeliads???) overlapping, and I only wanted one. Then, there was the background . . . Oh, my goodness! It was easy enough to decide to get rid of the extra plant and the rest of the background, but I couldn't decide with what to replace them. I relentlessly tried and, then, abandoned one idea after the other over a period of days. Meanwhile, I'd just started reading The Vein of Gold: A Journey to Your Creative Heart by Julia Cameron. The author very persuasively instructs the reader to do some things for the sake of creativity. One of them is walking. What she said made sense, but I didn't expect results so quickly. I wasn't even consciously thinking about the image when less than a quarter mile into the first walk after reading the chapter, I rejected a fresh idea about what to do with the background. A few steps later, I came up -- in general terms -- with what I ultimately tried to do. I'm not excited about it, but it's way better than whichever previous attempt would be in second place. I highly recommend the book, by the way.
Attachment 151700
iPhone 5s, PureShot camera app, ISO 125, three-exposure HDR at 2 EV intervals
This is where I'd normally list the processing highlights. Given the number of changes made along the way, though, I'm not sure how relevant some of the steps were. In addition to my normal Topaz Simplify, Alien Skin Snap Art, and Fractalius layers, I used Alien Skin Exposure on several layers, a Belle Fleur and a Photomorphis texture, Digital Film Tools Rays, and Red Giant Knoll Light Factory. There are several layers with the flower. The main, in your face, one was reshaped in both dimensions and moved a bit. Behind it is another version of it before reshaping. That one was enlarged, rotated, and applied at reduced opacity.


