Gus Cobos
08-21-2008, 10:07 PM
Note: Image #4 of The Liquid Motion Collection.
Techs: This composition is an image overlay of two frames captured in RAW and then converted to JEPG. format; shot at four frames per second using a polarizing filter.
The image was painted with a Nikon D200, using a Nikkor 105mm f/2.8D macro lens with a 12mm extension tube.
Image solution: focal length @ 105mm / exposure mode @ aperture priority / 1/60sec. - f/18 / ISO @ 200 /
white balance @ cloudy / AF - mode @ auto - high speed continuous / metering mode @ in camera matrix metering / light solution - no speedlight; used ambiant light in combination with a 36" soft box placed from the top at a 90 degree angle; and two 22" silver disk reflectors angled from both sides. / exposure comp @ -0.7EV
tone comp @ +2 degrees / hue adjustment @ +2 degrees / saturation factor @ +2 degrees / support platform - tripod assist /
Comments greatly appreciated...:cool:
Techs: This composition is an image overlay of two frames captured in RAW and then converted to JEPG. format; shot at four frames per second using a polarizing filter.
The image was painted with a Nikon D200, using a Nikkor 105mm f/2.8D macro lens with a 12mm extension tube.
Image solution: focal length @ 105mm / exposure mode @ aperture priority / 1/60sec. - f/18 / ISO @ 200 /
white balance @ cloudy / AF - mode @ auto - high speed continuous / metering mode @ in camera matrix metering / light solution - no speedlight; used ambiant light in combination with a 36" soft box placed from the top at a 90 degree angle; and two 22" silver disk reflectors angled from both sides. / exposure comp @ -0.7EV
tone comp @ +2 degrees / hue adjustment @ +2 degrees / saturation factor @ +2 degrees / support platform - tripod assist /
Comments greatly appreciated...:cool: