Diane Miller
04-30-2015, 11:25 AM
They're out in force here now, with warm spring weather -- warm here being 80 degrees. (Cold is 50 degrees...) Canon 300mm f/2.8 IS + 2X, to get half the close focus of the 600. ISO 400, f/14, 1/125. Big Gitzo with Wimberley II head. Cropped to 47% of the original frame.
I had shot the previous day with the 100-400 but had trouble getting close enough to one. But that should prove a great lens if they perch close enough to the bank.
I was shooting handheld for a while, at ISO 800, 1/1000 at f/10, but not sure how sharp they would be, so went to the tripod when I saw this one perching repeatedly on this reed. (Of course I frightened it slithering away to set up the tripod and had to wait half an hour for it to return. After wrestling the tripod into a good position on the bank I discovered I was sitting on a thistle but didn't dare move. It eventually wilted.
With the tripod I could shoot several different focus points to try to get both wings in focus. Not so easy because the dragonfly twitched a lot, but this one worked well enough to composite in a different focus on the back wing. Minimum adjustments in LR5 and into PS just for the composite, hand masked.
Turns out the handheld ones were amazingly sharp, with the detail in the compound eyes clearly visible at 100%. But not so easy to tweak a second focus point.
I had shot the previous day with the 100-400 but had trouble getting close enough to one. But that should prove a great lens if they perch close enough to the bank.
I was shooting handheld for a while, at ISO 800, 1/1000 at f/10, but not sure how sharp they would be, so went to the tripod when I saw this one perching repeatedly on this reed. (Of course I frightened it slithering away to set up the tripod and had to wait half an hour for it to return. After wrestling the tripod into a good position on the bank I discovered I was sitting on a thistle but didn't dare move. It eventually wilted.
With the tripod I could shoot several different focus points to try to get both wings in focus. Not so easy because the dragonfly twitched a lot, but this one worked well enough to composite in a different focus on the back wing. Minimum adjustments in LR5 and into PS just for the composite, hand masked.
Turns out the handheld ones were amazingly sharp, with the detail in the compound eyes clearly visible at 100%. But not so easy to tweak a second focus point.