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Discover how to use your camera to safeguard
the natural world
Text And Photography By James Shadle
It’s time to plan my next photographic adventure,
so I take a minute to ask myself a few questions.
Where do I want to spend the limited time I have
for my nature photography? Where can I go to capture
pleasing images and have a great time doing it?
I check the weather and wind direction and determine
that a little rookery a few miles from my home will
be the best spot to scratch my photographic itch.
When I arrive, however, I’m greeted with a
new chain-link fence and “No Trespassing”
signs. A Harley-Davidson dealership purchased the
land and is building a new showroom. Dang - another
one is gone.
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| Image
copyright: James Shadle |
A Changing Landscape
I see the signs of progress everywhere. It seems
there’s no limit to the construction of new
homes, roads, schools and golf courses. The politicians
bask in the glow of a “job well done,”
and why wouldn’t their constituents be happy?
They have created new jobs and new schools, and
just look at the revenue being collected as property
and business taxes.
On the other hand, uncontrolled “progress”
can be devastating to the remaining natural places
and the wildlife that resides there. Progress and
urban sprawl not only reduce wildlife habitat, but
create fragmentation—the result of large habitats
being cut into smaller parcels, with no means for
the wildlife to move freely from one area to another.
Roads, buildings and other obstructions prevent
wildlife from moving outside the small area; they’re
held captive, almost as if they were caged. As seasons
change (particularly in a state like Florida, where
there are two seasons, drought and flood), wildlife
needs to move to other areas with better forage.
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copyright: James Shadle |
Additionally, wildlife must be able to move for
the availability of fresh genetic material. For
example, the gene pool for the Florida panther has
been so greatly reduced by habitat loss and fragmentation
that all of them have a kink in their tails. This
is the obvious visible result of inbreeding. The
other results are less visible but unfortunately
much more serious, leading to increased vulnerability
to diseases and genetic traits that put the species
at risk.
Making A Difference
As a nature photographer, I’m concerned about
the impact of this “progress” on my
photographic subjects. I also have a selfish concern.
In the future, where will I find the subjects I
love and love to photograph? Will I be forced to
shoot only in the remaining national and state parks?
Or is there something I can do to raise the public’s
awareness about the results of uncontrolled development?
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copyright: James Shadle |
As a master naturalist, much of my training has
been on how to help the public and governmental
officials understand how uncontrolled growth negatively
affects wildlife and other natural resources—and
to communicate the importance of preservation to
a wider audience. As a photographer, much of my
work is trying to express in photographs the beauty
of our remaining wild places.
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copyright: James Shadle |
But just taking a beautiful photograph isn’t
enough. For the public to realize the value of our
remaining wild places, they must see the landscapes
and wildlife images taken in these locations. This
means slideshows for family and friends. It also
means contacting groups like Audubon and other environmentally
conscious clubs or groups. Camera clubs, schools,
newspapers and regional magazines are all effective
ways to get images seen and the message out.
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copyright: James Shadle |
The fact that wetlands filter drinking water, recharge
the aquifer, buffer against floods and provide valuable
habitat for countless species is lost on the public
due to lack of information, misinformation and the
fast pace in which most people live their lives.
If I photograph a roseate spoonbill, snowy egret,
redheaded woodpecker or any one of a number of species
that reside in these wetlands, and if I do it well,
then perhaps the public and governmental officials
will see the hidden beauty of these wild places.
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copyright: James Shadle |
Beauty is perceived as having value and, of course,
something of value is worth saving. My photography
can and does have a positive impact on stemming
the tide of habitat reduction and fragmentation.
The success of making the public environmentally
aware with photography has paid dividends in my
area. Many local governments have environmental
programs in place to protect and restore natural
places. I have images that would be otherwise impossible
to capture.
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| Image
copyright: James Shadle |
I’m not saying that my photography alone has
persuaded the local governments to suddenly have
an environmental conscience, but every little bit
helps. How can I be so sure? I’ve seen this
approach in action and successfully so.
Saving our wild and natural places is worth every
effort.
To see more of James Shadle’s photography,
visit www.wildflorida.net
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| Arthur Morris |
| James Shadle |
| Alfred Forns |
| Fabiola Forns |
| Blake Shadle |
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| Robert O’Toole |
| Robert Amoruso |
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| Juan Aragonés |
| Glenn Bartley |
| Doug Brown |
| Daniel Cadieux |
| George DeCamp |
| Bob Ettinger |
| D. Robert Franz |
| Maxis Gamez |
| Sid Garige |
| Susan Griffith |
| Lana Hays |
| Axel Hildebrandt |
| Van Hilliard |
| David Kennedy |
| Roman Kurywczak |
| Judy Lynn Malloch |
| Jody Melanson |
| Mike Moats |
| Chris Ober |
| Romy Ocon |
| Manos Papadomanolakis |
| Judd Patterson |
| Jim Poor |
| James Salywoda |
| Jayanth Sharma |
| Gyorgy Szimuly |
| Jason Vaclavek |
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